About

After more than four decades of teaching, conducting research and writing about women’s history and women’s and gender studies, I have returned to my first love: making art. It is both humbling and exhilarating to embark on a new career at this stage. I am experimenting with multiple media and materials. My larger works are primarily acrylic on canvas but many include elements of collage. I also make smaller pieces that are primarily collage and assemblage. (My studio is filled with bins of materials—what my husband and kids call “junk”—waiting to be turned into art.)
As a longtime feminist, I might be expected to produce work “with a message,” but in fact very few of my pieces turn out to be overtly political. If anything, I am rather retro, making paintings when many younger artists are focusing on installations, performance pieces, videos, and the like. Moreover, I eagerly embrace the mantle of abstract expressionism, a genre that has been largely superseded but one that I believe has by no means been exhausted, and which I am proud to carry on.
From June 2018 through March 2023, I was a member of Touchstone Gallery in Washington, D.C. I exhibited in monthly group shows and in April, 2022 I had a solo exhibition there, “Seeing My Way.” Here is a video tour: https://fb.watch/cTGciIakXf/. I have also exhibited at the Brooklyn Waterfront Artists Coalition Gallery and at several venues in the Maryland-Washington, DC. area, including Circle Gallery in Annapolis. I am currently a member of Women's Caucus for Art-DC and Maryland Federation of Art.
Press
"Seeing My Way By Sonya Michel" by Hannah Docter-Loeb
Washington City Paper, February 2022
"Sonya Michel Collaborates on Exhibition of Ukrainian Women Artists"
University of Maryland, Department of History, January 2023
"A Maryland Artist Turned Jamie Raskin's Bandannas Into A Collage" by Katie Kenny
The Washingtonian, May 2023
"In The Galleries: The Medium of Paper Carries Multiple Messages"
The Washington Post, July 2024